Carmelo Hayes Recalls HBK’s Advice To Him As Double WWE NXT Champion

Before Carmelo Hayes joined “WWE SmackDown” in 2024, he became one of the most decorated stars of the company’s developmental brand, having held the NXT Championship for 182 days and becoming a two-time North American Champion. There’s no doubt that “WWE NXT” viewed Hayes as their top star at one point, but it didn’t come without great expectations, as the 31-year-old recently explained that Senior VP of Talent Development Creative of “NXT” Shawn Michaels often set the bar high for him, but also provided guidance as the brand prepared him for the future.

“I didn’t think the championships really made a difference or not. But I do remember winning them, and ‘HBK’ being like, ‘Hey, you’re winning both of these titles. You’re going to have to step up and really prove to a lot of people that probably don’t think that you deserve it why you’re winning both of these titles,'” he explained on the “Battleground Podcast.” “At the time, we were overlapping the ‘Black and Gold’ era and we were just putting that final stamp, I hate to put it as like a nail in the coffin to ‘Black and Gold,’ but it felt like, hey we’re starting something new … Shawn and I had a bunch of talks like that and he mentioned to me a lot of times like, ‘Hey, we’re running with you.’ Like, ‘Hey, I need you to do your part. I need you to be my guy.'”

Hayes also touched on being popular with the “WWE NXT” audience, knowing that he won the fans over, but believes the crowd has always been “wishy-washy” and ultimately support who is hot in the moment.

If you use any of the quotes in this article, please credit “Battleground Podcast” with a h/t to Wrestling Inc. for the transcription.

Wade Barrett Reflects On WWE Management Changes: ‘A Lot Better’ Today

WWE commentator Wade Barrett has opened up about the current WWE management, noting that it’s a sea change from when he was an active star.

Barrett, in his recent interview with Sam Roberts on the “Notsam Wrestling” podcast, contrasted his fortunes in WWE after the end of Nexus, where he had a huge dip in his WWE status when he portrayed the Bad News Barrett character. He discussed whether he offers advice to young WWE stars who have been called up to the main roster from “NXT” to help temper their expectations owing to his experience. Barrett believes that WWE stars are in much safer hands now than when he was wrestling, which is down to the change in management.

“So I think — as controversial as this might sound, and I’m trying to be diplomatic here — I think management today are a lot better than they were back in my day in the ring. And I think when a certain superstar, whoever it may be, has some momentum, I think the emphasis from management and creative these days is to continue to build upon that momentum. Whereas that was not the attitude back in the era that we are referring to, when I was in Nexus. So, I think there is a significant change there,” he said. “So, I’m not going up to the young guys [saying] ‘Hey guys, trust me, you think your dreams are getting made now? They’re going to get ruined. Oh, this business will break your heart, kid. Trust me on that.’ I’m not doing that.”

Barrett joked that he wondered if he should run the business down for these younger stars, adding that he would reserve that for when he gets fired by WWE and starts his own podcast. Several stars who have worked under both Vince McMahon and Triple H, like CM Punk and Carlito, have preferred working under the latter to the former, which validates the claims made by Barrett.

Jordynne Grace Returns From Injury On WWE Main Event Ahead Of SmackDown

“The Juggernaut” Jordynne Grace is back in the ring ahead of WrestleMania season.

On Friday, Grace appeared in singles competition against Zelina Vega, as part of a taped match for “WWE Main Event,” which will air at a later date. A spectator at the SAP Center in San Jose, California, snapped a few photos of Grace’s return, which was posted on X [formerly known as Twitter].

In her unaired match on March 6, the former first-ever TNA Knockouts Triple Crown winner obtained an ankle injury when she leaped out of the corner and away from the former and longest-ever NXT UK Women’s Champion, Alba Fyre. It appeared she twisted her ankle. After the match, Grace was sporting a walking boot standing alongside Chelsea Green, who is also recovering from an ankle injury. A photo was posted of the two injured parties on social media.

Joining “WWE SmackDown” this past January, Grace has had her fair share of victories over stars like Green, Fyre, and Candice LeRae, which would be her most recent televised opponent on the February 27th Elimination Chamber go-home edition of “SmackDown.” She did have a go with the current WWE Women’s Champion Jade Cargill, but fell short of becoming the new women’s champion ahead of “The Grandest Stage of Them All.” At this time, Grace is still awaiting to capture her first piece of gold in WWE.

Match Spotlight: MJF Vs Kenny Omega, AEW Collision 10/28/2023

Even for All Elite Wrestling, a company that prides itself on having a roster full of people wanting to put on five-star classics every single night, this match is a lot. Don’t get me wrong, it’s very good and is one of the most entertaining matches in “Collision” history, but it does reach a point where you have to throw your hands up and say to Omega and Friedman “I’m full guys, please, no more.”

Considering what had been going on in AEW at the time with CM Punk getting fired, Bryan Danielson getting injured basically as soon as he returned from a broken arm, and Adam Cole’s exploding ankle ruining the entire “Devil” storyline, this was a welcome shot in the arm for the company. Kenny Omega arrives looking like a megastar despite feeling like the polar opposite (diverticulitis would take its toll two months later), MJF gets a huge response from the live crowd who are fully locked in for this one, and even though Friedman is technically a babyface at this time, he has to play the heel when he’s in there with Omega.

That actually plays into the match’s advantage as MJF has always wrestled better when playing the heel. He struts around, he pokes Omega in the eye, he goes for a sportsmanlike handshake knowing full well he wants to kick Omega in the groin, it’s the classic MJF playbook. However, because he is getting cheered like crazy, it forces Omega to try even harder to get the crowd behind him, and when he’s wrestling the type of match that wouldn’t look out of place in an NJPW main event, he is also dipping deep into his bag of tricks.

There are some surprises, particularly from MJF who sort of hits a Fosbury Flop in the early going (he basically attacks the apron more than Omega), and busts out a Poisonrana to get out of the One-Winged Angel. This forces Omega to bring out some more power-based offense like hitting a Powerbomb on the barricade, and through a table on the outside which was incredibly satisfying because a good table break in wrestling is one of the best visuals in all of entertainment.

By the end of things, both men are exhausted and still going for the big bombs, but it does run out of steam when Don Callis, with all the subtlety of a strobe light with Tourette’s, runs down to try and distract Omega. This is something I think we could have all done without, but it doesn’t take too much away from things. Does it need to be 30 minutes? Probably not as there are a few moments throughout that could have been chopped off, but in the end, this is a very fun match, MJF breaks Omega’s record, and delivers one of the best matches of his first AEW Men’s World Championship reign.

WWE’s Shawn Michaels Isn’t Bothered By Wrestlers Using The Superkick: ‘Mine Works’

In the ’80s, Jake “the Snake” Roberts once accidentally invented a move that he’d end up calling “The DDT,” named after the hazardous pesticide, utilizing it to end several matches. Ten years later, the move would become a standard move; rarely used as a finisher. 

Fast-forward to today, and what was once the show-stopping “Sweet Chin Music” has similarly been delegated to a normal move, but according to the man who made the move famous, Shawn Michaels, he has no issue with the “Superkick” now being standardized. 

“I didn’t want to be an old-timer that stopped the progression and the evolution of the business,” he said during an interview on “7PM in Brooklyn,” recalling how the veterans of his time warned him that he was killing the business back in his early years. “I still feel like the move is always going to be synonymous with me, which I’m appreciative of.” 

Michaels was asked about the difference between a “Superkick” and the “Sweet Chin Music” he used. 

“Mine works,” the veteran exclaimed.

Michaels then pointed out that wrestlers usually have an idea of a finisher before getting into the industry, and noted that it’s often a difficult decision because there aren’t many moves left that haven’t been used as believable finishers. 

“I can remember, with Sweet Chin Music, the Super Kick, it was a couple years after I retired, and getting a phone call and, again, one guy wanted to use it, and you know, ‘is it okay?’ And I said: ‘Yeah, it don’t matter to me,'” he claimed. “I think it was Dolph Ziggler, yeah? And I just thought, ‘sure, I’m not there anymore!’…Once I said yes to that one, it was like opening a floodgate.”

If you use any quotes from this article, please credit “7PM in Brooklyn” and provide a h/t to Wrestling Inc. for the transcription.